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Wednesday, February 13, 2008

Jaslene Gonzalez is not your typical model. She rose to fame after winning Cycle 8 of America’s Next Top Model, and since then, has been aggressively tapping into the fashion industry. As a result of her Latin background, Gonzalez has been successful at marketing herself both in the English-speaking and Spanish-speaking worlds. However, Gonzalez is much much more – a fighter, a humanitarian, and a good Latin granddaughter.

Born in Chicago to a Latina mother, and a Puerto Rican-born father, Gonzalez had, in many ways, a typical U.S. Latino experience – her tight knit family, grandparents, and spirituality played an intrinsic part in her upbringing.

“I went to an all-girl Catholic school and grew up with tons of family…..My family was very close knit and supportive. They were involved in my life everyday. So there was so much joy in every little occasion…..Every Sunday we would go to my grandmother’s house where we [the family] would hang out together….We enjoyed being around each other and being together,” states Gonzalez.

Her grandfather was the director of a local dance group, Viva La Gente, which Gonzalez credits with impacting her life positively.

“I was a dancer for 12 years and life revolved around dancing. I was a very active girl, and was always involved with my grandfather’s dance studio. The whole family was. My aunts, my cousins – everyone took part in performances and were involved in the group…That’s how we spent our summers, and we looked forward to being outside, dancing salsa, hip hop, merengue,” states Gonzalez. Through her involvement in the dance studio, Gonzalez’s horizon was broadened significantly, and her humanitarian streak began to deepen.

“We were always constantly traveling. We traveled to Mexico to poor villages where we gave performances to give back to the community,” said Gonzalez.

Ironically, ANTM gave her the opportunity to overcome her own difficulties and to further help those in need. “I went in there, without knowing that I was in an abusive relationship. They were the ones that brought that up to me…they felt I was emotionally destroyed, they wanted me to get support,” commented Gonzalez. While the ANTM staff was supportive, she also credits her life long dream for helping her get out of the abusive relationship.

“Having a dream and having a goal in life, is the most important thing I did in my life. Because of that I maneuvered my way to that dream. I knew I was better than that, I wanted to be happier,” stated Gonzalez.

Soon after winning ANTM, Gonzalez became a spokesperson for Liz Claiborne and the National Domestic Violence Hotline, and began traveling the country reaching out to women.

“We had several meetings, and they asked me to be a spokesperson. I was so happy and blessed to help women, to have that title. It’s something I want to do, besides modelling….I enjoy sharing my personal experiences because I can educate them, but I can also save someone’s life. It’s something precious, it’s a gift,” stated Gonzalez.

Abuse is not the only obstacle Jaslene has had to face. Growing up Latina had its own set of difficulties. “Being a minority is a challenge no matter what,” states Gonzalez.

However, Gonzalez also states that being a Latina has many positive aspects in regards to her profession. “As a Latina, you have the advantage of being a Latina. Not only do you have this corporate job, but you can relate to many groups as a person.”

When asked if the fashion industry forces Latina models to change certain aspects about themselves, she remarks that she focuses on always staying true to herself. “Modeling is a difficult job because of what you go through. 80% of the time it’s a no…When I go in, I go in like me, I don’t have to change anything. Any time I get a chance to show who I am, I do. I am a Spanish girl, trying to pursue my dreams. I try to be the best I can be,” remarked Gonzalez.

It is that same confidence and will to succeed that she seems to appreciate in other woman. “I find women beautiful. I find a girl with no makeup, not worrying about her style and appearance, I find that sexy. I find confidence beautiful…Its so simple. It’s being natural and confident,” said Gonzalez.

As a role model, she has two key pieces advice that she offers women: nurture your mind with positive thoughts, and identify and foster the principles in life you value.

It is not surprising to see why Gonzalez’s family is proud of her. “My family is so funny. They are so happy. I’ve never seen them so full of life. My mom acts like she won. My grandmother screams ‘mi flaca‘ every time she sees me. They are so proud. Especially my grandparents. I was practically raised by them. To see them see you so happy and successful, there couldn’t be a better feeling,” said Gonzalez.

She adds that her grandparents would be extremely happy if she appeared on Cristina, the Spanish-language talk show whose host is referred to as “the Spanish Oprah Winfrey.”

In the coming years, Gonzalez plans to continue on the path she is on. She wants to continue gracing magazine covers, as well as dedicating herself to helping young teens develop self growth and esteem. “Every time I wake up, God gives me the opportunity to be a better me…Life gets better as it goes by.”

This is the third in a series of articles with America’s Next Top Model contestants.

Friday, July 29, 2011

Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.

Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.

The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.

On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.

The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.

Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.

Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.

Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.

The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.

Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.

McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.

The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.

The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.

The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.

On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.

Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“

The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.

The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.

Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“

So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.

The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.

The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.

The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.

The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.

The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.

Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.

The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.

Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.

The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.

Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.

The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.

At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.

Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.

The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.

Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.

In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.

Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.

Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.

The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.

The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.

Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.

What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.

This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.

Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.

The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.

Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.

Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.

Sunday, March 20, 2005

KYUSHU, Japan —

A powerful magnitude 7 earthquake rocked Japan’s southwestern island of Kyushu at 10:53 am local time today (0153 UTC), prompting the Japanese Meteorological Agency to issue tsunami warnings for the area. The tsunami warnings were canceled later in the day.

A 75-year-old woman was killed in Fukuoka city by a falling wall. At least 400 people were injured by the quake. Local Fukuoka Airport and high speed bullet trains in the area temporarily suspended operations to look for damage.

According to the agency, the epicenter of the earthquake was in shallow water in the Sea of Japan, off the north coast of Fukuoka Prefecture.

Small aftershocks continued throughout the day, with authorities advising that residents should be prepared for aftershocks of up to magnitude 6.

In the aftermath of the quake, people were quickly alerted to the state of the situation by television reports, telephone, and text-messaging systems.

Interviewed by telephone in Hitoyoshi, well inland from the epicenter of the quake, a local resident noted the severity of the quake was frightening, and left the elderly woman unable to remain seated on a chair. Shutting off gas was the first priority, with the local television coverage providing a quick status update for the situation, followed by an interruption by national emergency network coverage.

A foreign resident of Fukuoka city reported taking refuge under his desk for several minutes as books and ornaments fell from shelves. He prepared to evacuate to high ground in case of a tsunami, but news reports indicated little danger from a tsunami. He also reported that Japanese residents appeared unconcerned by the quake, with many strolling near Momochi beach shortly after the quake, showing little apparent concern.

In Tenjin, downtown Fukuoka, Fukuoka Building’s windows shattered, and the block was quickly cordoned off. In addition to Fukuoka Building, many other buildings and businesses remained closed to shoppers.

Wikinews contributor Oarih reports that a festive atmosphere pervaded the streets, however, as employees from Nishinihon Shimbun (a major Japanese newspaper) passed out one-page articles on the earthquake and curious onlookers investigated the damaged buildings and sidewalks. Many residents, relieved by the relatively low damage inflicted by the earthquake, started visiting pubs and restaurants at lunch for a celebratory beer. With train and subway services disrupted, queues over 100 people long formed at some Nishitetsu bus stops in Tenjin as dusk approached.

The penetration of modern text-messaging by the Japanese Keitai, the common Japanese cell phone system more prevalent than computer-based email, led to quick status checks on many family members located near the coast around Fukuoka, close to the quake’s epicentre. Wikinews contributor Oarih reports that cell phone service providers were swamped by the spike in use, however, and both voice and text services remained unreliable for much of the day.

Monday, February 29, 2016

Yesterday Leonardo DiCaprio won his first Oscar, for Best Actor, at the 88th Academy Awards. The award ended DiCaprio’s long wait for an Academy Award — he was first nominated in 1993 and won on his sixth nomination, for his role in The Revenant, which also won Best Cinematography and Best Director.

In his acceptance speech, DiCaprio described The Revenant as “about man’s relationship to the natural world”, and spoke of underprivileged people affected adversely by human activities on nature. He also said “Our production needed to move to the southern tip of this planet just to be able to find snow”. He concluded saying “I thank you all for this amazing award tonight. Let us not take this planet for granted. I do not take tonight for granted. Thank you so very much.”

DiCaprio was previously nominated for his work in The Wolf of Wall Street, for Best Actor and Best Picture; Blood Diamond, for Best Actor; The Aviator, Best Actor; and What’s Eating Gilbert Grape, for Best Supporting Actor.

Kate Winslet, who co-starred with DiCaprio in Titanic, was nominated for Best Supporting Actress for Steve Jobs, but lost to Swedish actress Alicia Vikander for her role in The Danish Girl. Brie Larson collected Best Actress for her performance in Room.

Mad Max: Fury Road had ten nominations and won six of them: Best Costume Design, Film Editing, Makeup and Hairstyling, Production Design, Sound Editing, and Sound Mixing. Ex Machina won the award for Best Visual Effects. Spotlight won the Best Picture award, and Sam Smith’s song Writing’s on the Wall won Best Original Song for Spectre ahead of the Grammy-winning song Earned It by Canadian singer The Weeknd.

Monday, January 19, 2009

The Pittsburgh Steelers and the Arizona Cardinals have won their respective conference championship games to advance to Super Bowl XLIII, the championship game of the National Football League. The game is scheduled to take place on February 1 in Tampa Bay at Raymond James Stadium. The Steelers were the American Football Conference champion, defeating the Baltimore Ravens by a score of 23 to 14. Meanwhile, the Cardinals became the National Football Conference champions by defeating the Philadelphia Eagles 32 to 25.

Ravens quarterback Joe Flacco was the first rookie quarterback in the history of the NFL to help lead his team to two straight playoff victories, defeating the number 3 seeded Miami Dolphins to win the Wild Card round, and the number 1 seeded Tennessee Titans in the divisional round. They came in to the game against a number 2 seeded Steelers team that had already defeated them twice during the regular season. Early in the game the Steelers defense dominated the field, forcing him to only complete 3 out of 14 pass attempts and end the half with a lowly 9.8 quarterback rating and his team losing 13 to 7. By the beginning of the second half, snow was beginning to fall. Early in the third quarter, Flacco threw a 16 yard pass to wide receiver Derrick Mason, only to be sacked by safety Troy Polamalu for an 8-yard loss on the next play, forcing a punt for the Ravens. The Steelers were held on their next possession, forcing another punt. After the Ravens got the ball back, Flacco led the team down the field in what ended as a 58-yard touchdown drive to put the team up 16 to 14. However, near the end of the game, Flacco threw an errant pass intended for Mason that was intercepted by Polamalu and returned for a 40-yard defensive touchdown. This made the score 23 to 14, and essentially knocked the Ravens out of the game.

With 3:19 remaining in the game and the Ravens in possession of the ball for one last chance, a passing play was called. Flacco dropped back into a throwing position, and threw a short pass to running back Willis McGahee, who caught the ball and turned upfield. Going full speed up the field, Steelers safety Ryan Clark collided with McGahee, also running at full speed. The two made helmet-to-helmet-contact, knocking both players to the ground and knocking the ball out of the hands of McGahee. Ray Rice, another running back, commented “It was tough to watch. He’s like a brother to me.” Clark was helped off of the field by the Steelers medical staff, but McGahee remained down on the field with movement in only his legs and arms. He told team doctors that he had significant pain in his neck, and was taken off the field on a cart and taken to a nearby hospital. It is unknown how severe the injuries are at this time.

After the game, Ravens coach John Harbaugh said in a statement “I’m not going to sit here and say Joe played a certain way. Joe went out there and competed and battled and fought and tried to find a way to win the football game. So I certainly have no complaints about that.” Flacco completed only 17 out of 30 pass attempts for 141 yards passing. He was also sacked 3 times and threw 3 interceptions. “I’m not blaming it on any rookie-wall stuff. I don’t believe in any of that stuff,” said Flacco.

In the NFC championship, the Arizona Cardinals had not made it to a Super Bowl in the past 60 years. They were matched up against the high-powered offense of the Philadelphia Eagles, who were the number 6 seed in the NFC. The Cardinals were the number 4 seed, defeating the number 5 seeded Atlanta Falcons on Wild Card weekend, and the number 2 seeded Carolina Panthers in the NFC Divisional playoff round. The Cardinals were led by quarterback Kurt Warner, who became the second quarterback in NFL history to lead two different teams to a Super Bowl, the other being the St. Louis Rams. During the first half, the Cardinals quickly took the lead. By halftime, their lead was extended to 18 points in what looked like an easy win for the team. However, in the third quarter, Eagles quarterback Donovan McNabb threw three touchdown passes, two of them being to tight end Brent Celek. After kicker David Akers missed an extra point attempt after the third touchdown pass, the score was 25 to 24 in favor of the Eagles. After the Cardinals received the ball, they drove up the field. With just under 3 minutes remaining in the game, Kurt Warner completed a game-winning touchdown pass to running back Tim Hightower, making the score 32 to 25,. and sealing the game for the Cardinals.

Kurt Warner completed 21 passes out of 28 pass attempts, for a total of 279 passing yards. Wide receiver Larry Fitzgerald caught three touchdown passes of 9, 62, and 1 yard, building on his record-breaking playoff performance of 23 catches, 419 yards, and 5 receiving touchdowns over 3 games. “It really set in when I saw the confetti. I always dreamed of being in the confetti. This is beyond my wildest dreams,” said Cardinals linebacker Bertrand Berry after the game. On the other side, Donovan McNabb remarked on not making it to the Super Bowl again. “You never want anything to end. It’s tough when you’re that close to making it to the Super Bowl,” he commented.

Saturday, April 28, 2012

Monday, February 16, 2009

The United States military Strategic Command (STRATCOM) has said that the ‘fireballs’ spotted over areas of Texas in the United States on Sunday February 15, are not related to the collision of a U.S. and Russian satellite in space. According to spaceweather.com, NASA says the object was a meteor.

“There is no correlation between the debris from that collision and those reports of re-entry,” said STRATCOM military spokeswoman Major Maj. Regina.

“It’s a natural meteor, definitely,” said Bill Cooke, an astronomer at NASA’s Meteoroid Environment Office.

On Tuesday, February 10, the American civilian communications satellite Iridium 33, launched in 1997, and the defunct Russian military communications satellite Kosmos-2251, launched in 1993, collided over Siberia. On Friday February 13, the National Oceanic and Atmospheric Administration (NOAA) issued an alert for falling debris from the satellites, following reports of “explosions and earthquakes” along with “flashes in the sky” in Jackson and Louisville, Kentucky.

Then again on Sunday, calls to 9-1-1 began to come in to Williamson County, Texas sheriff’s office around 12:30 p.m. (Central time) that burning debris and fireballs were seen falling from the sky onto parts of Austin, Houston, Waco and San Antonio.

“The Federal Aviation Administration (FAA) reported to local law enforcement on Friday that these events are being caused by falling satellite debris. These pieces of debris have been causing sonic booms, resulting in vibrations felt by some residents, as well as flashes of light across the sky,” said the NOAA on Friday in an public information alert posted on their website. The FAA says the burning material over Texas is not related to this alert.

“We don’t know what it was [over Texas],” said Roland Herwig, a spokesman for the FAA on Monday. The alerts still remain in effect in Kentucky until further notice.

Residents in Texas reported their homes and windows shaking and large explosions on Sunday morning. After a search of several areas, the Williamson county sheriff’s office reported that no debris or impact sites were found. Earlier unconfirmed reports had said the debris could have been the result of a small plane exploding.

There was previous speculation was that the object in Texas could have been a meteor. Doctor Marco Ciocca, a professor at Eastern Kentucky University told WKYT on Sunday that it’s too early for the debris from the satellites to be reentering the planet’s atmosphere. “[It could] be months” before any of the satellite wreckage enters the earth’s atmosphere. “The debris doesn’t simply fall out of its orbit. It will either vaporize or stay in orbit for some time before falling into earth’s atmosphere.”

However, the Union of Concerned Scientists (UCS) said on February 12 that the debris could have taken 10 days or less to reenter over portions of the planet.

“Within 24 hours of the collision, the U.S. space tracking system had identified 600 pieces of debris. This large number suggests that the collision must have been relatively head-on. If the two satellites hit head-on, rather than a glancing blow, the energy of the collision would completely disintegrate both satellites into clouds of debris,” said the UCS in a statement on their website who also added that the collision took place in “the same region of space where China destroyed a defunct Chinese weather satellite with an anti-satellite (ASAT) weapon” in 2007. “That January 2007 test created a massive amount of debris.” There have been at least eight major satellite collisions since 1991.

The satellites, both of which had a mass in excess of 450 kilograms, and were traveling at approximately 17,500 miles per hour (28,150 km/hour), collided 491 miles (790 km) above the earth. Scientists say the explosion caused by the collision was massive. They are still trying to determine just how large the crash was and how the earth will be affected. STRATCOM continues to track the debris. The results of a plotting analysis will be posted to a public website.