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Creating The Perfect School

By Bruce Deitrick Price

As long as there have been schools, people have been asking, ‘So, how would we create the perfect school??’

I think the answer is obvious. You would not do any of the things that our Education Establishment likes to do. Indeed, you would do the opposite.

I believe I know exactly what they would do. They would sweep through the Warehouse of Current Educational Fads, grabbing stuff off the shelves with drunken abandon. Of course, their school would have Constructivism in all classes, with the teachers as Guides at Their Sides or, even worse, Facilitators. Lots of time would be wasted while students reinvent all of humanity’s discoveries, and teachers ascertain each student’s Prior Knowledge. Always, children would be encouraged to have deep discussions about the little they know, a fad called Critical Thinking. Meanwhile, the children would not learn to read, by using the method called Sight Words. They would not learn how to do arithmetic, by studying the fad called Reform Math. They would be prohibited from really knowing anything, according to the doctrine of No-Memorization. They would learn contempt for accuracy, according to the doctrine that praises Fuzziness. They would all get straight A’s, according to the doctrine of Self-Esteem. They would be made to work in groups, never learning to work independently, according to the doctrine of Cooperative Learning. And to top it off, the faddists would brag that their school teaches 21st-Century Skills! Unfortunately, this last cliche refers collectively to all the other cliches already mentioned.

My own take is that all of these fads are best understood as sound-good marketing slogans, more or less on the level of McDonald’s ‘i’m lovin’ it.’ Who could be against Self-Esteem? Cooperative Learning? Critical Thinking? Multiculturalism? Reform Math? Whole Language? 21st Century Skills? These artful slogans seem designed to make parents believe that something important is going on, and to convince students that they’re not wasting their time at school.

[youtube]http://www.youtube.com/watch?v=RqVUzO2VdPU[/youtube]

Unfortunately, none of these fads is much concerned with content, substance, facts, or knowledge. Our Education Establishment has a long track record of being gaga about social engineering, but dismissive of intellectual engineering. Predictably, their schools are to education what scooters are to long-distance transportation. As Professor Arthur Bestor noted more than 50 years ago, public schools will never get better, no matter who much money is spent, as long as the Education Establishment retains its hostility to content.

So, how do we create the perfect school, supposing we’re serious about this quest. First of all, we start from a profound love of facts, and a reverence for knowledge, We proceed in a systematic way to teach foundational knowledge, and then to build on that knowledge, wider and higher. With the results that typical students in the seventh grade will know more than the high school graduates that the Education Establishment turns out. Perhaps just as importantly, these young students will know what they do not know, unlike the Critical Thinkers who are encouraged to believe they know everything they need to know.

Throughout history, all the great schools are virtually identical in having great seriousness of purpose. Without that, everything is a joke and a squandering of money. The main improvement we can make on the past is to use the insight that you often accomplish more with carrots than with sticks. A smart school ensures that students have fun. They should look back and say, ‘Yeah, school was a blast.’ I think it’s a matter of keeping things moving, of creating a wave of learning, of being deeply serious but having a light touch, of mixing sports and extracurricular activities in with the academic work, of mixing field trips in with the class work. Mainly, in the digital age we have so many more tools for memorable presentation of information.

I think really successful schools manage a sleight-of-hand, an intentional deception if you will, so that students don’t realize that they’re actually in a very intense academic environment. It surely helps a great deal if a school is like this from kindergarten onward. Young children, treated as little scholars, will grow into the part. They’ll know that facts are fun, and knowledge is power.

Finally, the difference between the good school and the bad school is merely a matter of attitude and perspective. Good schools revere facts and knowledge, and want to inspire that feeling in children. Bad schools ricochet ineffectually from fad to theory to therapy, never committed to the reason that humans built schools in the first place: to transmit the best of the past to the future.

(For a discussion of Foundational Knowledge and other themes related to this article, please see ’43: American Basic Curriculum’ on Improve-Education.org. For a more sweeping statement of this article, see ’38: Saving Public Schools.’)

About the Author: Bruce Price is an author, artist, poet and education activist. He founded Improve-Education.org, which is now in its fifth year and has become a leading voice for education reform. This site explores many intellectual topics and is especially concerned with reading (see ’42: Reading Resources’). Article summary: To create a perfect school, avoid the common educational fads. Focus instead on basics, content, knowledge, and mastery.

Source: isnare.com

Permanent Link: isnare.com/?aid=476766&ca=Education

Police report drug haul seizure worth up to £30 million in Brownhills, England

Monday, December 2, 2013

Police in the West Midlands in England today said nearly 200 kilograms worth of drugs with value possibly as great as £30 million (about US$49 million or €36 million) has been seized from a unit in the town of Brownhills. In what an officer described as “one of the largest [seizures] in the force’s 39 year history”, West Midlands Police reported recovering six big cellophane-wrapped cardboard boxes containing cannabis, cocaine, and MDMA (“ecstasy”) in a police raid operation on the Maybrook Industrial Estate in the town on Wednesday.

The impact this seizure will have on drug dealing in the region and the UK as a whole cannot be underestimated

The seized boxes, which had been loaded onto five freight pallets, contained 120 one-kilogram bags of cannabis, 50 one-kilogram bags of MDMA, and five one-kilogram bricks of cocaine. In a press release, West Midlands Police described what happened after officers found the drugs as they were being unloaded in the operation. “When officers opened the boxes they discovered a deep layer of protective foam chips beneath which the drugs were carefully layered”, the force said. “All the drugs were wrapped in thick plastic bags taped closed with the cannabis vacuum packed to prevent its distinctive pungent aroma from drawing unwanted attention.” Police moved the drugs via forklift truck to a flatbed lorry to remove them.

Detective Sergeant Carl Russell of West Midlands Police’s Force CID said the seizure was the largest he had ever made in the 24 years he has been in West Midlands Police and one of the biggest seizures the force has made since its formation in 1974. “The impact this seizure will have on drug dealing in the region and the UK as a whole cannot be underestimated”, he said. “The drugs had almost certainly been packed to order ready for shipping within Britain but possibly even further afield. Our operation will have a national effect and we are working closely with a range of law enforcement agencies to identify those involved in this crime at whatever level.”

Expert testing on the drugs is ongoing. Estimates described as “conservative” suggest the value of the drugs amounts to £10 million (about US$16.4 million or €12 million), although they could be worth as much as £30 million, subject to purity tests, police said.

Police arrested three men at the unit on suspicion of supplying a controlled drug. The men, a 50-year-old from Brownhills, a 51-year-old from the Norton area of Stoke-on-Trent in Staffordshire, and one aged 53 from Brownhills, have been released on bail as police investigations to “hunt those responsible” continue. West Midlands Police told Wikinews no person has yet been charged in connection with the seizure. Supplying a controlled drug is an imprisonable offence in England, although length of jail sentences vary according to the class and quantity of drugs and the significance of offenders’ roles in committing the crime.

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Ireland requests replay of FIFA World Cup play-off with France

Friday, November 20, 2009

The Football Association of Ireland (FAI), Irish Minister for Sport, Taoiseach and Facebook social network groups are requesting a replay of the controversial FIFA World Cup play-off between Ireland and France in the interests of Fair Play. The FAI lodged an appeal with FIFA and also contacted the French Football Federation (FFF), it appears FAI hopes FFF may agree that a replay is fair play. Both captians, Thierry Henry and Robbie Keane, have called for a replay.

The Irish supporters, who in the past have won the FIFA Fair Play Award, are angry after a blatant double handball by Thierry Henry enabled France to score the extra-time goal that cost Ireland entry to next year’s FIFA World Cup finals in South Africa. Most Irish anger has been directed at FIFA, although French captain Thierry Henry has admitted handling the ball.

FAI has argued that there is a strong precedent; in 2005 where FIFA invalidated the result of a FIFA World Cup qualification match between Uzbekistan and Bahrain on the basis of a technical error by the match referee. However, Law 5 of the Laws of the Game state that: “The decisions of the referee regarding facts connected with play, including whether or not a goal is scored and the result of the match, are final.” and a source at Fifa headquarters in Switzerland said that “there is no way the game can be replayed”. The generic concept of fair play is a fundamental part of the game of football and the Fair Play Campaign was conceived largely as an indirect result of the 1986 FIFA World Cup in Mexico, when the handball goal by Diego Maradona.

The referee Martin Hansson and (referee’s assistants) Stefan Wittberg and Fredrik Nilsson were unable to see the incident but didn’t ask Thierry Henry if he handled the ball. Its hoped the mistake won’t cost the Swedish referee’s a place in South Africa. FIFA’s Fair play policy is playing by the rules, using common sense and respecting fellow players, referees, opponents and fans. The French union representing the nation’s gym teachers declared outrage at what it called “indisputable cheating.”

Minister for Sport Martin Cullen wrote to FIFA president Sepp Blatter urging him to call a rematch in the interests of fair play. Taoiseach Brian Cowen raised the issue with French president Nicolas Sarkozy on the fringes of last night’s EU summit. French Prime minister François Fillon said “neither the French government nor the Irish Government should interfere in the functioning of the international federation”.

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Tips To Start Building A High Credit Score From The Beginning}

Tips To Start Building A High Credit Score From The Beginning

by

David Makarski

The foundations of building a debt free society is in the generation next. In order to lower bankruptcy filings and help citizens manage money sensibly society needs to inculcate financial discipline from a young age.

Catch them young, advices a financial guru, they are never to young to learn money management and the magic of savings. In fact many parents are already teaching 7 and 8 year olds how not to fritter all their pocket money on candy and comics.

Students need to be able to manage money and know that credit scores affect just about everything in life, from college admissions and student loans to buying cars or the first home. The basics of credit scores is that it is a record of how you manage your money and whether or not you pay all your bills in time.

Here are a few tips that will enable you to build a good credit score from day 1.

Create a budget for daily, weekly, and monthly expenses. Try and set aside a small amount of money each month for emergencies. The World Wide Web has many articles and tips on financial planning as well as easy to use online tools.

[youtube]http://www.youtube.com/watch?v=MrXvK2BrT9A[/youtube]

Never avail more than one student credit card. And use the card only for dire emergencies. When you use the card for travel r to buy something make sure you settle the bill in full well before its due date.

Trim down expenses by sharing accommodation and food costs and by taking part time jobs or freelance assignments to bring in extra funds. At college innovative students can earn by taking on odd jobs all over the campus. Let people including the office, teaching staff, senior students, and librarians know you are willing to work. You will be surprised how many assignments turn up.

Avoid shopping binges. Lock up the credit cards and if you are weak then only go to shopping districts on the day when most shops are closed. The alternative is to leave the credit card at home and go with very little or no money in your purse.

Save money by learning how to mix-match your wardrobe. This way it wills seem that you have lots of clothes but you will not have to spend to look stylish.

Make a list of what you need and be bold enough to send the list to family and friends and say these are my needs, if you ever want to send me a present please ask me so that I get what I need and not multiples of the same thing. This will ensure that birthday and Christmas gifts will all be useful ones. In some societies the practice is to give students gifts in cash.

Make the effort to now what credit reports are and how the credit report and score can affect your life. Learn how the reports are generated by the three major credit reporting agencies. For example FISCO determines credit reports and score by considering:

35% payment history.

30% outstanding debt.

15% length of credit history.

10% recent inquiries on your credit report.

10% types of credit in use.

With planning and discipline students and adults can live a life of financial freedom.

David Makarski is a retired Credit Report Agent and a writer for

Free Credit Report

, the premier website to find free search for free credit report and credit score online information, credit history, credit score, credit reporting industry, advantage credit monitoring, credit report scores and many more.

Article Source:

Tips To Start Building A High Credit Score From The Beginning}

Tomb discovered in Valley of the Kings

Friday, February 10, 2006

Archaeologists have discovered a tomb, referred to as KV63, in Egypt’s Valley of the Kings. It is the first such discovery since Howard Carter’s 1922 discovery of Tutankhamun‘s tomb. The discovery was made by a team from the University of Memphis. Zahi Hawass, head of the Supreme Council of Antiquities said in a statement that five intact sarcophagi that all contained mummies and 20 large storage jars that were sealed with pharaonic seals had been recovered.

American archaeologist Kent Weeks, who was not part of the team but had seen photographs of the site, told the Associated Press that “It could be the tomb of a king’s wife or son, or of a priest or court official”. The find refutes the long held belief that the Valley of the Kings has little left to discover. According to Weeks: “It’s ironic. A century ago, people said the Valley of the Kings is exhausted, there’s nothing left,” he said. “Suddenly Carter found Tutankhamun. So then they said, ‘Now there’s nothing to find.’ Then we found KV5. Now we have KV63.”

KV63 is located in the area between KV10 (Amenmesse) and KV62 (Tutankhamun), in the very centre of the Valley’s eastern branch and near the main crossroads of the network of paths traversed by thousands of tourists every day. The tomb was found at a depth of some three metres beneath the ground. The burial site is believed to date from the latter portion of the 18th dynasty (ca. 14th century BC), but the occupants have not yet been identified.

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Antje Duvekot on life as a folk singer, her family and her music

Sunday, November 11, 2007

Boston-based singer-songwriter Antje Duvekot has made a name for herself in the folk music world with powerful ballads of heartbreak and longing for a deeper spirituality, but coming up empty-handed. Below is David Shankbone’s interview with the folk chanteuse.


David Shankbone: Tell me about your new album.

Antje Duvekot: It’s called Big Dream Boulevard and it’s the first studio album I made. It’s not so new; I made it in May of 2006. It’s produced by Séamus Egan, who is the leader of a fairly renowned band named Solas.

DS: You mentioned you used to explore more dark themes in your work, but that lately you are exploring lighter fare. What themes are you exploring on this album?

AD: In the future I am hoping for more light themes. I feel like I have worked through a lot of the darkness, and personally I feel like I’m ready to write a batch of lighter songs, but that’s just how I’m feeling right now. My last record, Big Dream Boulevard, was a pretty heavy record and that was not intentional. I write what is on my mind.

DS: What were you going through that made it so dark?

AD: The record is drawn from my whole writing career, so it’s old and new songs as well. I wasn’t going through anything in particular because it was spanning a wide time period. I think it’s fair to say that over all I turn to music in times of trouble and need as a therapeutic tool to get me through sadness. That’s why I tend to turn to music. So my songs tend to be a little darker, because that’s where I tend to go for solace. So themes like personal struggle with relationships and existential issues.

DS: What personal relationships do you struggle with?

AD: A lot of my songs are about dating and relationship troubles. That’s one category. But a lot of my songs are about existential questions because I struggle with what to believe in.

DS: Do you believe in a higher power?

AD: I’m sort of an atheist who wishes I could believe something.

DS: What do you believe?

AD: It’s undefined. I think I’m spiritual in music, which is my outlet, but I just can’t get on board with an organized religion. Not even Unitarianism. I do miss something like that in my life, though.

DS: Why do you miss having religion in your life?

AD: I think every human being craves a feeling that there is a higher purpose. It’s a need for me. A lot of my songs express that struggle.

DS: Does the idea that our lives on Earth may be all that there is unsettle you?

AD: Yes, sure. I think there’s more. I’m always seeking things of beauty, and my art reflects the search for that.

DS: You had said in an interview that your family wasn’t particularly supportive of your career path, but you are also saying they were atheists who weren’t curious about the things you are curious about. It sounds like you were a hothouse flower.

AD: Yes. I think what went with my parents’ atheism was a distrust of the arts as frivolous and extraneous. They were very pragmatic.

DS: They almost sound Soviet Communist.

AD: Yeah, a little bit [Laughs]. They had an austere way of living, and my wanting to pursue music as a career was the last straw.

DS: What’s your relationship with them now?

AD: I don’t actually speak to my mother and stepfather.

DS: Why?

AD: A lot of reasons, but when I was about 21 I was fairly certain I wanted to go the music path and they said, “Fine, then go!”

DS: That’s the reason you don’t speak with them?

AD: That’s the main. “Go ahead, do what you want, and have a nice life.” So the music thing cost the relationship with my parents, although I think there may have been some other things that have done it.

DS: That must be a difficult thing to contend with, that a career would be the basis for a relationship.

AD:Yes, it’s strange, but my love of music is perhaps stronger for it because of the sacrifices I have made for it early on. I had to fight.

DS: Would you say in your previous work some of your conflict of dating would have been birthed from how your relationship with your family? How do you see the arc of your work?

AD: My songs are sort of therapy for me, so you can trace my personal progress through them [Laughs]. I think there is some improvement. I wrote my first love song the other day, so I think I’m getting the hang of what relationships are all about. I’m ever grateful for music for being there for me when things weren’t going so well.

DS: Has the Iraq War affected you as an artist?

AD: Not directly, but I do have a few songs that are political. One about George Bush and the hypocrisy, but it’s very indirect; you wouldn’t know it was about George Bush.

DS: How has it affected you personally?

AD: I feel sad about it. People say my music is sad, but it’s a therapeutic thing so the war affects me.

DS: The struggle to be original in art is innate. When you are coming up with an idea for a song and then you all of a sudden stumble across it having been done somewhere else, how do you not allow that to squelch your creative impulse and drive to continue on.

AD: That’s a good question. I started writing in a vacuum just for myself and I didn’t have a lot of feedback, and I thought that what I’m saying has been said so many times before. Then my songs got out there and people told me, ‘You say it so originally’ and I thought ‘Really?!’ The way I say it, to me, sounds completely trite because it’s the way I would say it and it doesn’t sound special at all. Once my record came out I got some amount of positive reviews that made me think I have something original, which in turn made me have writer’s block to keep that thing that I didn’t even know I had. So now I’m struggling with that, trying to maintain my voice. Right now I feel a little dried-out creatively.

DS: When I interviewed Augusten Burroughs he told me that when he was in advertising he completely shut himself off from the yearly ad books that would come out of the best ads that year, because he wanted to be fresh and not poisoned by other ideas; whereas a band called The Raveonettes said they don’t try to be original they just do what they like and are upfront about their influences. Where do you fall in that spectrum?

AD: Probably more towards Augusten Burroughs because when I first started writing it was more in a vacuum, but I think everyone has their own way. You can’t not be influenced by your experience in life.

DS: Who would you say are some of your biggest influences in the last year. Who have you discovered that has influenced you the most?

AD: Influence is kind of a strong word because I don’t think I’m taking after these people. I’ve been moved by this girl named Anais Mitchell. She’s a singer-songwriter from Vermont who is really unique. She’s just got signed to Righteous Babe Records. Patty Griffin just moves me deeply.

DS: You moved out of New York because you had some difficulty with the music scene here?

AD: I feel it is a little tougher to make it here than in Boston if you are truly acoustic folk lyric driven. I find that audiences in New York like a certain amount of bling and glamor to their performances. A little more edge, a little cooler. I felt for me Boston was the most conducive environment.

DS: Do you feel home up in Boston?

AD:I do, and part of that is the great folk community.

DS: Why do you think Boston has such a well-developed folk scene?

AD: It’s always historically been a folk hub. There’s a lot of awesome folk stations like WUMB and WERS. Legendary folk clubs, like Club Passim. Those have stayed in tact since the sixties.

DS: Is there anything culturally about Boston that makes it more conducive to folk?

AD: Once you have a buzz, the buzz creates more buzz. Some people hear there’s a folk scene in Boston, and then other people move there, so the scene feeds itself and becomes a successful scene. It’s on-going.

DS: Do you have a favorite curse word?

AD: [Giggles] Cunt. [Giggles]

DS: Really?! You are the first woman I have met who likes that word!

AD: Oh, really? I’ll use it in a traffic situation. Road rage. [Laughs]

DS: Do you find yourself more inspired by man-made creations, including people and ideas, or nature-made creations?

AD: I love nature, but it is limited. It is what it is, and doesn’t include the human imagination that can go so much further than nature.

DS: What are some man made things that inspire you?

AD: New York City as a whole is just an amazing city. People are so creative and it is the hub of personal creativity, just in the way people express themselves on a daily basis.

DS: Do you think you will return?

In theory I will return one day if I have money, but in theory you need money to enjoy yourself.

DS: What trait do you deplore in yourself?

AD: Like anyone, I think laziness. I’m a bit a hard on myself, but there’s always more I can do. As a touring singer-songwriter I work hard, but sometimes I forget because I get to sleep in and my job is not conventional, and sometimes I think ‘Oh, I don’t even have a job, how lazy I am!’ [Laughs] Then, of course, there are times I’m touring my ass off and I work hard as well. It comes in shifts. There are times there is so much free time I have to structure my own days, and that’s a challenge.

DS: When is the last time you achieved a goal and were disappointed by it and thought, “Is that all there is?” Something you wanted to obtain, you obtained it, and it wasn’t nearly as fulfilling as you thought it would be.

AD: I was just thinking about the whole dream of becoming a musician. I want to maybe do a research project about people’s dreams and how they feel about them after they come true. It’s really interesting. They change a lot. When I was 17 I saw Ani Difranco on stage and I wanted to do that, and now I’m doing it. Now I think about Ani very differently. I wonder how long it took her to drive here, she must be tired; I’m thinking of all the pragmatic things that go on behind the scenes. The backside of a dream you never consider when you’re dreaming it. To some extent, having my dream fulfilled hasn’t been a let-down, but it’s changed. It’s more realistic.

DS: What is a new goal?

AD: Balance. Trying to grow my career enough to make sure it doesn’t consume me. It’s hard to balance a touring career because there is no structure to your life. I’m trying to take this dream and make it work as a job.

DS: How challenging is it to obtain that in the folk world?

AD: There’s not a lot of money in the folk world. In generally right now I think people’s numbers are down and only a few people can make a living at it. It’s pretty competitive. I’m doing okay, but there’s no huge riches in it so I’m trying to think of my future and maintain a balance in it.

DS: Do you think of doing something less folk-oriented to give your career a push?

Not really, I’ve done that a little bit by trying to approach the major labels, but that was when the major labels were dying so I came in at a bad time for that. I found that when it comes to do it yourself, the folk world is the best place to make money because as soon as you go major you are paying a band.

DS: More money more problems.

AD: More money, more investing. It’s a hard question.

DS: What things did you encounter doing a studio album that you had not foreseen?

AD: Giving up control is hard when you have a producer. His vision, sometimes, is something you can’t understand and have to trust sometimes. See how it comes out. That was hard for me, because up until now I have been such a do it yourself, writing my own songs, recording them myself.

DS: What is your most treasured possession?

AD: I’d like to say my guitar, but I’m still looking for a good one. I have this little latex glove. [Laughs] It’s a long story—

DS: Please! Do tell!

AD: When I was in college I had a romantic friend named David, he was kind of my first love. We were young and found this latex glove in a parking lot. We though, “Oh, this is a nice glove, we’ll name him Duncan.”

DS: You found a latex glove in a parking lot and you decided to take it?

AD: Yeah [Laughs]. He became the symbol of our friendship. He’s disgusting at this point, he’s falling apart. But David and I are still friends and we’ll pass him back and forth to each other every three years or so when we’ve forgotten his existence. David surprised me at a show in Philly. He gave Duncan to the sound man who brought it back stage, and now I have Duncan. So he’s kind of special to me.

DS: If you could choose how you die, how would you choose?

AD: Not freezing to death, and not in an airplane, because I’m afraid of flying. Painlessly, like most people. In my sleep when I’m so old and senile I don’t know what hit me. I’d like to get real old.

DS: Would you be an older woman with long hair or short hair?

AD: I guess short hair, because long hair looks a little witchy on old people.

DS: Who are you supporting for President?

AD: I’m torn between Obama and Hillary. Someone who is going to win, so I guess Hillary.

DS: You don’t think Obama would have a chance of winning?

AD: I don’t know. If he did, I would support Barack. I don’t really care; either of those would make me happy.

DS: What trait do you value most in your friends?

AD: Kindness.

DS: What trait do you deplore in other people?

AD: Arrogance. Showiness.

DS: Where else are you going on tour?

AD: Alaska in a few days. Fairbanks, Anchorage and all over the place. I’m a little nervous because I will be driving by myself and I have this vision that if I get hit by a moose then I could freeze to death.

DS: And you have to fly up there!

AD: Yeah, and I hate flying as well—so I’m really scared! [Laughs]

DS: Is there a big folk scene in Alaska?

AD: No, but I hear people are grateful if anyone makes it up there, especially in the winter. I think they are hungry for any kind of entertainment, no matter the quality. [Laughs] Someone came to us! I actually played there in June in this town called Seldovia, that has 300 people, and all 300 people came to my gig, so the next day I was so famous! Everyone knew me, the gas station attendant, everyone. It was surreal.

DS: So you had that sense of what Ani DiFranco must feel.

AD: Yeah! I was Paul McCartney. I thought this was what it must be like to be Bruce Springsteen, like I can’t even buy a stick of gum without being recognized.

DS: Did you like that?

AD: I think it would be awful to be that famous because you have moments when you just don’t feel like engaging.
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Russian commander: Tu-160s penetrate US airspace undetected

Tuesday, April 25, 2006File:Tu 16019.jpg

A senior Russian air force commander has claimed that new, upgraded Tu-160 bomber aircraft were unchallenged by US air defense systems when they penetrated a radar zone near the Canadian coast in US territory during an April training exercise, reports the Russian news agency RIA Novosti.

Commander of Russia’s long-range strategic bombers, Lieutenant General Igor Khvorov said that the bombers successfully carried out four mock Tu-95MS cruise missile launches, 200 mock bombings, and 53 mock sorties during the exercise. The RIA Novosti reported that the United States Air Force is currently investigating how the Tu-160’s escaped detection.

Lieutenant General Igor Khvorov said, “They were unable to detect the planes either with radars or visually.”

Khvorov denies any link of the tests to the current US-Iranian tension, saying, “Of course, our exercises did not have anything to do with the situation in Iran, but their organization indirectly echoed in that region.”

The Tupolev Tu-160 is a strategic bomber introduced in 1987. It resembles the North American B-1B Lancer, but is larger and faster, being powered by four NK-32 afterburning turbofans, the largest in any combat aircraft. It is not considered to be a stealth aircraft due to its exposed engine inlets and broad wing gloves.

According to Khvorov over the course of this year, two additional Tu-160s will be commissioned for the long-range strategic bomber fleet with the numerous upgrades, including the ability to launch cruise missiles, aviation bombs, and satellite communication.

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How Building A New Concrete Garage Could Save You Money

Submitted by: Vincent Rogers

These days every house needs a garage to either keep their vehicle out of the elements, or to serve as a personal work space. Either way it is extremely important to make sure you build it out of a decent, hard-wearing material.

Some people choose to utilise standard framing, and some might build their garage out of steel. By far, one of the best materials to utilise in your construction is concrete and though it might be a bit expensive at first, we will talk a bit about how building a new concrete garage could save you money in the long run.

The first thing you need to understand is that very few structures in today’s world are actually permanent. There may be a natural disaster or perhaps the structural integrity of the garage will become unstable and require reinforcement or replacement further down the line. If this is the case, you will need to rebuild it and make sure you use tougher materials. As you can probably guess, it will cost quite a bit of money to rebuild the foundation and even rebuild the initial structure.

[youtube]http://www.youtube.com/watch?v=3vFuRlvIfOg[/youtube]

If you were to build your entire garage out of concrete however you would have a structure that has the potential to last for decades. It is evident that concrete structures last much longer than prefabricated structures, and in the end you will most likely be glad that you spent the extra money and that you put the extra time into your project. It can be better insulated, more structurally sound and shouldn’t cause you any issues for many years to come.

Another great thing about having a concrete structure is that it will add value to your home. If you are in an area that suffers from frequent natural disasters, then having this extra protection for vehicles and your possessions can prove invaluable. People will purchase a home if they feel they can be safe in it, and if they feel that they won’t need to invest hundreds or even thousands of dollars repairing it.

On a standard garage a roof will be similar to your home’s roof, but on a concrete garage you will have flat roofing that can be made of any number of different highly durable materials. The biggest problem with this kind of structure is that you cannot make many changes down the road. When the plans for this new structure are made, they are quite literally set in stone and with that being the case, you will really need to think it over and even consult with an architect before you make any long term plans.

One way that you can save money directly is through vehicle insurance. Often you’ll pay an added premium to park your car or motorcycle on the road or even a driveway; however, when it is parked in a secured location, such as your garage, this can be lowered significantly.

Overall a concrete garage is a great idea, and building it could save you money in ways that you have never even imagined. Yes it will be expensive, but in the end you will be glad that you made the investment, and you will be quite happy with your brand new garage. Happy building!

About the Author: Vincent Rogers is a freelance writer who recommends Compton Buildings, the UK’s leading manufacturer of sectional, prefab, prefabricated and

concrete garages

and sheds who also offer a range of garage doors, windows and security options.

Source:

isnare.com

Permanent Link:

isnare.com/?aid=584954&ca=Home+Management

Ontario Votes 2007: Interview with Green candidate Marion Schaffer, Oakville

Monday, September 24, 2007

Marion Schaffer is running for the Green Party of Ontario in the Ontario provincial election, in the Oakville riding. Wikinews’ Nick Moreau interviewed her regarding her values, her experience, and her campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Retrieved from “https://en.wikinews.org/w/index.php?title=Ontario_Votes_2007:_Interview_with_Green_candidate_Marion_Schaffer,_Oakville&oldid=1891056”

Ontario Votes 2007: Interview with Liberal candidate Kate Holloway, Trinity-Spadina

Monday, October 1, 2007

Kate Holloway is running for the Ontario Liberal Party in the Ontario provincial election, in the Trinity-Spadina riding. Wikinews’ Nick Moreau interviewed her regarding her values, her experience, and her campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Retrieved from “https://en.wikinews.org/w/index.php?title=Ontario_Votes_2007:_Interview_with_Liberal_candidate_Kate_Holloway,_Trinity-Spadina&oldid=4495432”

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