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Saturday, March 17, 2018

In the United States, autopsy results were released on Thursday by the Napa County Sheriff’s Office, which show that Albert Wong killed himself after shooting his three hostages at The Pathway Home veterans’ psychiatric center in Yountville, California last Friday. The hostages died instantly from rifle shots to the head, and Wong shot himself in the head with a shotgun. Officials said there was no indication any of the four was killed by a sheriff’s deputy who exchanged shots with Wong.

The Sheriff of Napa County also acts as the county coroner. According to the official report, the three hostages “all suffered immediately fatal head wounds caused by a high velocity projectile consistent with the rifle that the shooter, Albert Wong, used in this incident”. Wong’s fatal head wound was self-inflicted. Sheriff’s Captain Steven Blower clarified that neither Wong nor the hostages was shot by the deputy.

According to authorities, Wong, a former Pathway resident, drove a rented car to the center Friday, March 9, and shortly after 10 AM local time (UTC-8), dressed in black and armed with a semi-automatic rifle, took five of the people at a leaving party hostage. The first call to the emergency 9-1-1 number was made at about 10:20. About ten minutes later, shots were heard, and a sheriff’s deputy and Wong exchanged fire. Wong then shut himself in a room with three of the hostages. The campus was evacuated, but there was no further contact with Wong. A little before 6 PM, a video feed from a remote-controlled robot showed the four people in the room were probably dead.

The three victims were all women. Christine Loeber, 48, was the executive director of the home. Jen Golick, 42, was its clinical director. Jennifer Gonzales Shushereba, 36, was a psychologist on the staff of the San Francisco Department of Veterans Affairs Healthcare System and also worked with PsychArmor, a nonprofit group, to create a toolkit for college campuses to assist students with post-traumatic stress disorder (PTSD). She was entering her last trimester of pregnancy.

Wong, 36, was a decorated veteran who served in the infantry in Afghanistan for a year in 2011–2012. He had been in treatment at the center for about a year but had been expelled two weeks before the hostage-taking because knives were found in his possession. His brother Tyrone Lampkin told The Press Democrat, Wong had been angry and said he “wanted to get back at them”, but what he had mentioned was to “talk to them, yell at them, not to kill them”.

The Board of Directors of The Pathway Home announced on Wednesday that it would suspend operations “indefinitely”. It is a ten-year-old non-profit in-patient center treating veterans with PTSD, brain injuries, depression and addictions on the campus of the Veterans Home of California Yountville. Yountville is a small town in the wine country a little more than 50 miles north of San Francisco. Founded as a last-resort center for intensive treatment of veterans who had not been helped by other approaches, it transitioned in 2015 to providing care to those not yet in crisis, including veterans studying at Napa Community College. The Veterans Home is the largest in the United States, with more than 900 residents.

Saturday, September 22, 2007

The first ever case of Bluetongue disease has been reported in the UK. The case involves a cow at a farm near Ipswich, Suffolk.

Bluetongue affects ruminants such as sheep and cows, but is not known to affect humans. It is sometimes fatal, depending on the animals affected, and presently has no treatment. The disease was prevalent in Africa for many years and had since migrated to European nations such as France and Germany, causing officials had feared a UK outbreak in the UK follows recent outbreaks of the disease on the European continent in nations such as France and Germany.

Experts such as microbiology professor Hugh Pennington of Aberdeen University had suspected the disease would eventually spread to the UK.

Tuesday, May 3, 2005

The animated series Family Guy returned to the FOX television network with a new episode Sunday for the first time since it was taken off the schedule three years ago. Although the show kept most of its audience that lead-in The Simpsons gave, FOX was still fourth out of five major broadcast networks in the half-hour, losing most notably to ABC‘s hit Desperate Housewives (UPN, the other major American broadcast network, does not air original programming on Sundays).

However, the season premiere of Family Guy and the series debut of American Dad (which helped usher in what the network termed “The New FOX Sunday”) helped bring FOX to the #2 spot out of five networks in the crucial 18 to 49 demographic, one of the most important to advertisers in the key May sweeps period. “Sweeps” occurs four times a year and helps networks and independent affiliates determine how much a fixed amount of time for commercial advertisement will cost (the higher the ratings, the more revenue for the networks selling the time to advertisers).

On the whole, Family Guy averaged a 6.3 rating in the overnights as posted by Zap2It. While the overnight ratings are fairly accurate, the numbers are preliminary and are subject to minor change. One ratings point is equal to 1,096,000 households, as there are now 109,600,000 households in the United States with at least one television. This translates into a little more than 6.9 million households whose sets were tuned into Family Guy, as recorded by the sample of “Nielsen families,” who record their viewing habits and contribute to the ratings process the US uses. The use of the word “share” in the article means that it is the rough percentage of viewers with their sets on at that hour tuning into a certain program. For example, nine percent of viewers in the United States with their televisions on at 9 P.M. Eastern Daylight Time were tuned to Family Guy.

This only added up to a 9 household share for the hour, compared to an 11 share for Law & Order: Criminal Intent on NBC, a 14 share for a CBS Hallmark Hall of Fame movie of the week (traditionally only aired during the key sweeps periods), and a 23 share for the aforementioned Desperate Housewives. Averaged with the performance of American Dad, a cartoon produced by Family Guy creator Seth MacFarlane, FOX earned a mere 5.8 rating/9 share for the hour.

The episode revolved around a big scheme Peter Griffin, the main character of the series, conjured. To give his wife Lois (who no longer finds him sexually attractive) a second honeymoon in order to “spice up” their love life, he pretends to be actor Mel Gibson so they can stay in a new luxury hotel for free. Peter stumbles upon a sequel to the film The Passion of the Christ, and vows to keep the movie from ever seeing the light of day. To get the movie back, Gibson kidnaps Lois and keeps her captive on top of Mount Rushmore, which leads to a scene in which the three battle on top of the monument, in a homage to the film North by Northwest.

Tuesday, November 20, 2007

Last night HBO premiered I Am An Animal: The Story of Ingrid Newkirk and PETA. Since its inception, People for the Ethical Treatment of Animals (PETA) has made headlines and raised eyebrows. They are almost single-handedly responsible for the movement against animal testing and their efforts have raised the suffering animals experience in a broad spectrum of consumer goods production and food processing into a cause célèbre.

PETA first made headlines in the Silver Spring monkeys case, when Alex Pacheco, then a student at George Washington University, volunteered at a lab run by Edward Taub, who was testing neuroplasticity on live monkeys. Taub had cut sensory ganglia that supplied nerves to the monkeys’ fingers, hands, arms, legs; with some of the monkeys, he had severed the entire spinal column. He then tried to force the monkeys to use their limbs by exposing them to persistent electric shock, prolonged physical restraint of an intact arm or leg, and by withholding food. With footage obtained by Pacheco, Taub was convicted of six counts of animal cruelty—largely as a result of the monkeys’ reported living conditions—making them “the most famous lab animals in history,” according to psychiatrist Norman Doidge. Taub’s conviction was later overturned on appeal and the monkeys were eventually euthanized.

PETA was born.

In the subsequent decades they ran the Stop Huntingdon Animal Cruelty against Europe’s largest animal-testing facility (footage showed staff punching beagle puppies in the face, shouting at them, and simulating sex acts while taking blood samples); against Covance, the United State’s largest importer of primates for laboratory research (evidence was found that they were dissecting monkeys at its Vienna, Virginia laboratory while the animals were still alive); against General Motors for using live animals in crash tests; against L’Oreal for testing cosmetics on animals; against the use of fur for fashion and fur farms; against Smithfield Foods for torturing Butterball turkeys; and against fast food chains, most recently against KFC through the launch of their website kentuckyfriedcruelty.com.

They have launched campaigns and engaged in stunts that are designed for media attention. In 1996, PETA activists famously threw a dead raccoon onto the table of Anna Wintour, the fur supporting editor-in-chief of Vogue, while she was dining at the Four Seasons in New York, and left bloody paw prints and the words “Fur Hag” on the steps of her home. They ran a campaign entitled Holocaust on your Plate that consisted of eight 60-square-foot panels, each juxtaposing images of the Holocaust with images of factory farming. Photographs of concentration camp inmates in wooden bunks were shown next to photographs of caged chickens, and piled bodies of Holocaust victims next to a pile of pig carcasses. In 2003 in Jerusalem, after a donkey was loaded with explosives and blown up in a terrorist attack, Newkirk sent a letter to then-PLO leader Yasser Arafat to keep animals out of the conflict. As the film shows, they also took over Jean-Paul Gaultier‘s Paris boutique and smeared blood on the windows to protest his use of fur in his clothing.

The group’s tactics have been criticized. Co-founder Pacheco, who is no longer with PETA, called them “stupid human tricks.” Some feminists criticize their campaigns featuring the Lettuce Ladies and “I’d Rather Go Naked Than Wear Fur” ads as objectifying women. Of their Holocaust on a Plate campaign, Anti-Defamation League Chairman Abraham Foxman said “The effort by PETA to compare the deliberate systematic murder of millions of Jews to the issue of animal rights is abhorrent.” (Newkirk later issued an apology for any hurt it caused). Perhaps most controversial amongst politicians, the public and even other animal rights organizations is PETA’s refusal to condemn the actions of the Animal Liberation Front, which in January 2005 was named as a terrorist threat by the United States Department of Homeland Security.

David Shankbone attended the pre-release screening of I Am An Animal at HBO’s offices in New York City on November 12, and the following day he sat down with Ingrid Newkirk to discuss her perspectives on PETA, animal rights, her responses to criticism lodged against her and to discuss her on-going life’s work to raise human awareness of animal suffering. Below is her interview.

[edit]

April 9, 2005

Microsoft’s Encarta has announced the addition of a blog as well as some wiki-like functionality to the online subscription encyclopedia.Encarta is welcoming revision suggestions from their users, but they have a disclaimer:

Encarta is different from open-content encyclopedias found elsewhere on the Web that post users’ changes immediately.

When the changes are implemented at Encarta, readers can click an “Edit this article” link to have their contribution reviewed by editors at Microsoft for possible use.

The web enhancement has introduced a minor security glitch for the subscription service. When trying to look up an article on Encarta as a non-subscriber, web surfers receive a teaser page suggesting the user sign up for a subscription [1]. However, using the editor URL for the same article will get a WYSIWYG display of the article requested; a simple way around the subscription requirement [2].

Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.

DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.

But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.

As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.